Avantika Bawa’s (b. 1973) practice emphasizes the intersections where drawing and sculpture, stasis and motion, and the functional and non-functional intermingle. Geographic and architectural differences in landscape strongly inform her work. Bearing in mind a location’s prior use, she creates wall drawings and/or paintings, and repurpose and rearrange functional objects to create temporary installations on-site. Her approach is influenced by Minimalism and its emphasis on reductive form, modularity, and experimentation with scale. These installations invite the viewer to experience the crossroads between the utilitarian, historical, and aesthetic qualities of each space.
Avantika Bawa lives and works in Portland, Oregon. Originally from New Delhi, India, she received an MFA in Painting from the School of the Art Institute of Chicago and a BFA in the same from the Maharaja Sayajirao University, Baroda, India. She has participated in numerous residencies that include the Skowhegan, ME; Ucross Foundation, WY; MacDowell, NH; Kochi Biennial Foundation, India, Nes Artist Residency, Iceland, and recently Iris Projects and Yucca Valley Material Lab, CA. Noteworthy solo exhibits include shows at The Portland Art Museum, OR, Schneider Museum, Ashland, OR, Suyama Space, Seattle, WA, The Columbus Museum, GA; Saltworks Gallery and the Atlanta Contemporary Arts Center, Atlanta, GA; Nature Morte and Gallery Maskara in India; White Box, Tilt Gallery & Project Space and Disjecta, Portland, OR. Large scale sitespecific installations include, A Pink Scaffold in the Rann, Kutch, India (2019-20), and A Yellow Scaffold on the Ranch, part of Art Beyond, Ashland OR (2021). Bawa is the recipient of several awards, notably the Oregon Arts Commission Joan Shipley Award, the Crow’s Shadow Institute of the Arts 2018 Golden Spot Residency Award, and the Hallie Ford Fellowship presented by the Ford Family Foundation. In April 2004 she was part of a team that launched Drain - Journal for Contemporary Art and Culture. www.drainmag.com. In 2014 Avantika was appointed to the board of the Oregon Arts Commission. She is currently Professor of Fine Arts at Washington State University, Vancouver, WA.
Avantika Bawa
Coliseum Dark Red Sky, Printed at Crow’s Shadow Institute of the Arts, Lithograph, AP, 35.6 x 25.4 cm
Avantika Bawa
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Coliseum Dark Red Sky, Printed at Crow’s Shadow Institute of the Arts, Lithograph, AP, 35.6 x 25.4 cm, 2018
Avantika Bawa
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Ice Cube 11, Graphite and acrylic on paper, 30.5 x 38 cm, 2020
Avantika Bawa
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Ice Cube 12, Graphite and acrylic on paper, 30.5 x 38 cm, 2020
Avantika Bawa
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Ice Cube 17, Graphite and acrylic on paper, 25.4 x 30.5 cm, 2020
Avantika Bawa
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Ice Cube 17, Graphite and acrylic on paper, 25.4 x 30.5 cm, 2020
Avantika Bawa
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Ice Cube 15, Graphite and acrylic on paper, 25.4 x 30.5 cm, 2020
Avantika Bawa
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Ice Cube 13, Graphite and acrylic on paper, 25.4 x 30.5 cm, 2020
Avantika Bawa
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Centro Roberto Garza Sada, Silkscreen and Lithograph on paper, 41.9 x 54.6 cm, 2023
Avantika Bawa
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Pirelli Building, Silkscreen and Lithograph on paper, 41.9 x 54.6 cm, 2023
Avantika Bawa
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Valleaceron Chapel, Silkscreen and Lithograph on paper, 41.9 x 54.6 cm, 2023
Avantika Bawa
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Trellick Tower, Silkscreen and Lithograph on paper, 41.9 x 54.6 cm, 2023
Avantika Bawa
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432 Park Avenue #3, Graphite, oil pastel and charcoal on paper, 101.6 x 68.6 cm, 2019
Avantika Bawa
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432 Park Avenue #2, Graphite on paper, 101.6 x 68.6 cm, 2019
Avantika Bawa
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Coliseum Black, Collaborative Master Printer Judith Baumann, Lithograph, edition of 18, 38.1 x 76.2 cm, 2018
Avantika Bawa
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