Arshi Irshad Ahmadzai, Chaar dhundli lakeerein and a visit to Vienna (Art Nouveau se muttassir) (Four blurred lines, and a visit to Vienna (after Art Nouveau)),
Papier-mâché, acrylic, graphite and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 70 cm, 2025
Arshi Irshad Ahmadzai, Ek qissah-goh dil ne roshni ke kaano mein jab raaz bayaani ki tou… (When a storytelling heart whispered its secret into the ears of light...), Papier-mâché, acrylic, graphite and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 70 cm, 2025
Arshi Irshad Ahmadzai, Bagh-e Falsafi aur Hafiz ka ek na-shinakht Ashaar ( Goethe ke bagh se muttasir) (The Philosopher’s Garden and an unidentified couplet of Hafiz (After Goethe’s garden)), Papier-mâché, acrylic and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 64 cm, 2025
Arshi Irshad Ahmadzai, Bagh-e Falsafi X( Nietzsche ke bagh se muttasir) (The Philosopher’s Garden X (After Nietzche’s Garden)), Papier-mâché, acrylic and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 64 cm, 2025
Arshi Irshad Ahmadzai, Dou dilon ki khamoshi se bezaar hoke patthar ki lakeeron ne zameen se jab apna nishaa mitaya (Wearied of the silence between two hearts, when the stone-etched lines erased their own existence from the earth), Papier-mâché, acrylic, graphite and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 70 cm, 2024-25
Arshi Irshad Ahmadzai, Saat nabina Sufi aur ek hijrat roshni ki taraf... (Seven blind Sufis, and a migration towards light...), Papier-mâché, acrylic, graphite and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 70 cm, 2025
Avantika Bawa, NDCMC#2, Graphite and oil stick on paper, 172.7 x 121.9 cm, 2025
Avantika Bawa, NDCMC#1, Graphite and oil stick on paper, 172.7 x 121.9 cm, 2025
Chathuri Nissansala, Calling to coax III, Plaster of paris , fabric , discarded tea bags , glass beads , coconut beads, stone cut beads and cotton thread, height 22.9 cm, 2024
Chathuri Nissansala, Touch and conception, Screen printing on polythene, plaster of paris , discarded cloth.Intricately woven onto discarded tea bag layers , glass beads , plastic beads, stone cut beads and cotton thread, height 26.7 cm, 2024
Margins and Migrations: Acts of Repair and Resistance brings together eleven South Asian artists whose practices respond to histories of displacement, erasure, and transformation - both external and internal. Working across drawing, textiles, abstraction, photography, sculptures and book-based forms, the artists engage material, rhythm, language, and memory as sites of inquiry. The presentation foregrounds slowness and repetition, allowing mark-making and process to become quiet forms of listening to lived experience. Rather than offering fixed narratives, the works hold space for reflection, healing, and persistence. Here, repair is understood as an ongoing act - rooted in attention, discipline, and sustained inquiry. The “margin” emerges not as absence, but as a fertile ground for resonance, continuity, and renewal.
- Arshi Irshad Ahmadzai
- Avantika Bawa
- Chathuri Nissansala
- Indu Antony
- JK
- Kaimurai
- Kingsley Gunatillake
- Mahbubur Rahman
- Mojahid Musa
- Youdhisthir Maharjan
- Zoya Chaudhary
Arshi Irshad Ahmadzai, Chaar dhundli lakeerein and a visit to Vienna (Art Nouveau se muttassir) (Four blurred lines, and a visit to Vienna (after Art Nouveau)),
Papier-mâché, acrylic, graphite and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 70 cm, 2025
Art Mumbai 2026
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Arshi Irshad Ahmadzai, Ek qissah-goh dil ne roshni ke kaano mein jab raaz bayaani ki tou… (When a storytelling heart whispered its secret into the ears of light...), Papier-mâché, acrylic, graphite and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 70 cm, 2025
Art Mumbai 2026
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Arshi Irshad Ahmadzai, Bagh-e Falsafi aur Hafiz ka ek na-shinakht Ashaar ( Goethe ke bagh se muttasir) (The Philosopher’s Garden and an unidentified couplet of Hafiz (After Goethe’s garden)), Papier-mâché, acrylic and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 64 cm, 2025
Art Mumbai 2026
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Arshi Irshad Ahmadzai, Bagh-e Falsafi X( Nietzsche ke bagh se muttasir) (The Philosopher’s Garden X (After Nietzche’s Garden)), Papier-mâché, acrylic and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 64 cm, 2025
Art Mumbai 2026
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Arshi Irshad Ahmadzai, Dou dilon ki khamoshi se bezaar hoke patthar ki lakeeron ne zameen se jab apna nishaa mitaya (Wearied of the silence between two hearts, when the stone-etched lines erased their own existence from the earth), Papier-mâché, acrylic, graphite and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 70 cm, 2024-25
Art Mumbai 2026
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Arshi Irshad Ahmadzai, Saat nabina Sufi aur ek hijrat roshni ki taraf... (Seven blind Sufis, and a migration towards light...), Papier-mâché, acrylic, graphite and gold dust on Manjarpat Fabric (painted on a coat of varnish), 80 x 70 cm, 2025
Art Mumbai 2026
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Avantika Bawa, NDCMC#2, Graphite and oil stick on paper, 172.7 x 121.9 cm, 2025
Art Mumbai 2026
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Avantika Bawa, NDCMC#1, Graphite and oil stick on paper, 172.7 x 121.9 cm, 2025
Art Mumbai 2026
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Chathuri Nissansala, Calling to coax III, Plaster of paris , fabric , discarded tea bags , glass beads , coconut beads, stone cut beads and cotton thread, height 22.9 cm, 2024
Art Mumbai 2026
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Chathuri Nissansala, Touch and conception, Screen printing on polythene, plaster of paris , discarded cloth.Intricately woven onto discarded tea bag layers , glass beads , plastic beads, stone cut beads and cotton thread, height 26.7 cm, 2024
Art Mumbai 2026
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